May
11
to May 13

ODRATHEK

Odrathek is a tentacular weekend of experimental music and vocal performances curated by Musarc, one of the UK’s most progressive choral collectives. Taking place in the main hall of an old fire-station in Lambeth, Odrathek is the ensemble’s largest-scale event to date, bringing together artists from the UK and abroad to develop projects that break down boundaries between different art forms, performers and audiences, musical genres and ways of making music, and to ask: how do we make music in the Chthulucene*?

Running over one evening and two afternoons, Odrathek is a non-stop happening of performances, parliaments, installations, screenings, workshops and eating together. It gives an insight into the unique universe of the choir and its cross-disciplinary working method where traditional ways of practice collide with ideas both inside and outside the domain of music.

Musarc and the artists at Odrathek create a theatrical spectacle where bread, Bach and Debussy mingle with slime-mould, the choir learns and practices, yodels, moves bamboo sticks, poems, sound and mounds of earth, sets the universe to vibrate, conducts nonsensical language tests, plays the building with bouncy balls, singing/eating and protesting together with an audience that can watch, listen and work with the artists, and become part of a post-political, post-post real-time opera.

During the festival, screenings, installations and special solo-performances by the artists alternate with workshops and practice sessions of the choir which allow the audience to experience and take part in the performances and their making, including works and new commissions by Jenny Moore (CAN/UK), Celia Gondol (FR), Claudia Molitor (UK) and Joseph Kohlmaier (AT/UK), Jenna Sutela (FIN), Amber Priestley (US/UK), Alex de Little (UK), Edka Jarzab (POL), and members of the ensemble Amina Abbas-Nazari (UK), Jakub Modrzejewski (POL/UK), Natalia Kieniewicz (US/UK). It features installations and screenings by Volkmar Klien (AT) and Karin Hasselberg (SWE), and Lore Lixenberg’s (UK/DE) real-time opera PRÊT Â CHANTER, and special performances by Rebecca Jagoe (UK), Rie Nakajima (JP/UK), Benedict Drew (UK), Esther Venrooij and Heleen van Haegenborgh (BE).

Odrathek also marks the album-launch of Bloody Sirens, a recording of four works Musarc developed with artist/composer Neil Luck (UK) between 2010–15, recorded at Extra City Kunsthal, Antwerp, and published by avant-garde music label Entr’acte. 

The event opens on Friday 11 May, 6pm, and closes on Sunday 13 May, 9pm, running over one evening and two consecutive afternoons. It is open to anyone and people of all ages. It is the first in a series of events, projects and commissions that celebrate ten years of Musarc in 2018–19. Musarc is a project by Joseph Kohlmaier, the ensemble’s founding and creative director, and its director of music Cathy Heller Jones.

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May
8
7:00 PM19:00

Rubin Kanga: Wikipiano

  • Performance Space College Building City, University of London (map)
  • Google Calendar ICS

Adventurous pianist Zubin Kanga returns to City with a programme of new works for piano and multimedia, exploring a range of screen cultures, from film to video art to internet culture

  • Claudia Molitor, You Touched the Twinkle on the Helix of my Ear (world premiere)
  • Michel van der Aa, Transit
  • Adam de la Cour, Transplant the Movie 2!: Assignment ‘Re-Rise’ Dark Return (world premiere)
  • Alexander Schubert, Wikipiano (UK premiere)

Claudia Molitor uses film of her own hands to explore the composer’s role as puppet master with a constantly evolving relationship between the performer and the notation handwritten on screen. Michel van der Aa’s Transit combines film and music to explore the loneliness and paranoia of an elderly man trapped in his own home. Adam de la Cour builds on the success of his horror-inspired work Transplant the Movie! with this sequel, riffing off genre tropes of 1980s action and spy movies, featuring an assassin using a cover as a cocktail pianist to infiltrate the evil Steinway Clan. And Alexander Schubert’s major new work, Wikipiano, receives its UK premiere. It features a website that allows the public to edit the score and multimedia parts, creating a constantly evolving work that explores internet-based crowd behavior.

Zubin Kanga, piano

Nicholas Moroz, electronics

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Feb
17
7:00 PM19:00

Fragmente Stille - Bozzini Quartet

Bozzini Quartet (Clemens Merkel; Alissa Cheung; Stéphanie Bozzini; Isabelle Bozzini)

Programme

Claudia Molitor, Und laß Dir jeden Tag geschehen (2012)

Aldo Clementi, Otto frammenti (1978-97)string quartet

John Lely, Doubles (2012)

Luigi Nono, Fragmente-Stille, an Diotima (1979-80)

 

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